Blog Review
The Exposure Project
Ben Alper is the director of the erudite blog, The Exposure Project. This project has
branched out to release four books, host numerous exhibitions while simultaneously
maintaining a progressive approach to showcasing emerging artists on their blog.
Jeff Otto O'Brien

Hannah, 2008
Ben Alper
Where do you see the site going from here? Do you plan to implement tumblr, twitter, etc, into The Exposure Project?
Other than our recently launched project, Graphic Intersections,
we don't have any imminent plans for the website. We have worked hard
over the last year to get the site to place that is comprehensive,
functional and intuitive. It was important to us that it functioned as
a user-friendly hub which clearly delineated all of the different
aspects of the project. As for your question regarding the integration
of Tumblr and Twitter into the identity of The Exposure
Project, we don't have any upcoming plans to work with these outlets.
The proliferation of social networking platforms are, one the one hand,
invaluable promotional resources - on the other hand though, they can
propagate a saturation of information which can be overwhelming and
hard to reconcile. With that being said, we're more than satisfied
with the success that the website, blog and Facebook have brought us.

White Rectangle, 2008
Harm van den Dorpel

Sunlight, 2009 (From Speed Queens)
Maury Gortemiller

(From Blur)
Jose Javier Serrano
What
effect do the internet and readily accessible images have on
photography? Tumblr, for example, where one can be inundated with
thousands of great and not so-great images in a very accessible push
manner.
The answer to this question
is undoubtedly complicated. The internet has certainly and permanently
altered the ways in which images are disseminated and ingested by the
viewing public. Having a seemingly endless supply of photography at
one's fingertips is both invigorating and daunting. I will say that it
has been nothing short of revolutionary for emerging artists looking
for accessible outlets to show their work. Blogs, online magazines,
social networking platforms (such as Facebook, Twitter, Tumblr, etc.)
and Flickr have, in one respect, democratized the medium. This shift
in visibility has unquestionably facilitated a vibrancy in both
photography and the discourse surrounding it.
However, this accessibility is ultimately a double-edged sword. The heightened exposure
available to young artists is now packaged with the reality of a
flooded market. All it takes to reinforce this point is one day spent
sifting through photography blogs. One of the things that I find most
problematic about the blog/social networking platform is the
fleetingness of the content. Posts and links come and go so quickly
that it becomes nearly impossible to retain, or merely see, a fraction
of what's offered up. This inundation of imagery can cultivate a lack
of intentioned viewing, which ultimately fosters the desire to consume,
rather than contemplate, photographs.
Emerging
photographers in my mind often emulate a particular style largely
influenced by, well some would say Vice Magazine but I'd point to Nan
Goldin, maybe Larry Clark.
The
tendency toward the vernacular in contemporary photography is one that
I that find both exciting and somewhat taxing. At its best, this way
of working engages with, or distills perhaps, something revealing about
everyday life - the quiet, casual or intimate moments that often
disclose a refreshing honesty about our lives. At its worst, however,
this trend is steeped in triteness and pretense. Many contemporary
photographers emulating this style seem to be more interested in
selling a particular lifestyle than elucidating something meaningful.
When the lines between the aesthetics and substance are uncomfortably
blurred, I tend to find the work disingenuous.

Arthur Ou

(From Traum)
Alexander Binder
I am curious to hear who's work has your attention these days and if there is anyone you're following with particular interest.
There
are so many photographers whose work we've been excited about lately -
many of whom we've been lucky enough to collaborate with in the last
year. Bradley Peters, Susan Worsham, Inka Lindergård
& Niclas Holmström, Manuel Vazquez, Daniel Shea and Carlo Van de
Roer are just a few. Other people include Elaine Stocki, Alejandra
Laviada, Hannah Whitaker, Michael Vahrenwald, Birthe Piontek,
Thobias Fäldt and Phil Jung...and many more.
What blogs do you follow? There seems to be a demarcation between art blogs and photography-based blogs.
I
follow a bunch of contemporary photography blogs - BLDG BLOG, Horses
Think, Heading East, This Is That, We Can't Paint, I Heart Photograph.
I also find Ahorn Magazine, Too Much Chocolate and Useful Photography
consistently inspiring.
Sadly, I think you're right that there is a
pronounced distinction between "photography blogs" and "art blogs".
There are obviously exceptions to this rule, however, it seems that
most of them are curated with a certain of medium specificity. We try
to highlight work that isn't strictly photographic on The Exposure
Project blog. Creating a resource that is more interdisciplinary and
that highlights a variety of working methods provides richer
opportunities for cross-medium interaction.
http://www.theexposureproject.com
http://www.theexposureproject.blogspot.com